#this is the end my friend

[liquidstar]

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

[xamitras]

For many of years I had this tradition of drawing Wirt and the beast once a year to see how much I have improved, then depression hit in 2023 and couldn't continue, but it left so really amazing art in the process

[greykolla-art]

Charlie: “I’m so glad my most villain-coded friend is at full power again! 🥰💕”

*throws this to you angst goblins like raw steak* ❤️

(No I will not do a part 2!❤️)

[archiepelago]

I think about sebastian on the surface a normal amount

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[kimikaami]

The funniest thing about House MD to me is that all the shippers are right. House and Wilson really are just Like That. I'm so used to big ships being completely noncanon or distant subtext at best. Not Hilson. They have a fake dating episode. In the episode where House mocks a gay man for being in denial, the multi-episode-long subplot is about him trying to break up Wilson's relationship because he's jealous and wants him to himself. Wilson, his best friend and person whom he lives with. This show is insane.

[adler-obsessed]

god. Vivienne really is just. that character. She is taken to the circle so young she does not remember what her parents even looked like and someone had to tell her. She wouldn’t even know if they were telling the truth. She is ruthless, the terror and nightmare of the Orlesian court. She almost weeps when you find the Tranquil skulls in Redcliffe. She hates drop waists. She is harrowed younger than any other mage in living memory. She teaches Bull the steps to the dance of the six candles. He likens her to a Qunari dreadnought that has half the enemies on the ground before he’s even reached the front line. Her accent’s not Orlesian. No Free Marcher can tell where she is from either. Is her original voice another part of herself she cut off? She enchanted a duke within one meeting and they scandalised even Orlesian society. She was good friends with his wife. They possibly fucked too. No can control her. She’s been owned since the moment she was first brought to the Circle. She belongs to no people. There are a dozen leashes around her neck claiming otherwise. She makes fun of an elven god for setting his coattails on fire.  She is on the verge of banishing Cole back to the Fade all the time. She can’t help but grow to care for him at the end despite her best efforts to pretend otherwise. She hates herself for it. She thinks caring makes you weak. During the first conversation you have with her unmasked as a Trevelyan, she begs to know if you also cared about her childhood friend, Lydia. She tries to import illegal fur into Skyhold. Did she kill everything soft within her soul herself or did the Chantry sisters do it for her? She is impossible to prank. Some might say she’s even better than Sera at pranking. She was pulled into the game by the time she was nineteen. She’d faced worse things since she could first remember her dreams. Life has never been fair. One merely needs to be hard enough to survive. The blade at her neck when she lay on the floor of the harrowing chamber was no different from the hunger in her belly as child, a necessary pain that only drove her forward. Maker, was there ever any chance that she did not see cruelty as simply another word for life? Is there any version of her that does not end up surrounded by moral filth? 

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[haunted-xander]

Well, I guess you didn't have much of a choice either

[cashmoneyyysstuff]

from the start !

so. . what are we ??

you’ve been katsuki’s for as long as you can remember.

sure, he had never outwardly called you his girlfriend, but when you were both seven years old, he came up to you. chest heaving slightly from running up and down the hill where he had gotten you a freshly plucked out bouquet of flowers. the roots were still clinging to them and he got dirt all over your hands from forcibly grabbing them and shoving the bouquet in them before you could even form a sentence.

“since you accepted the flowers, you’re mine now.” he mumbled, his little hands tightened into fists at his sides and chubby cheeks a cute shade of pink, staring at you as confidently as he could.

a grin grows on his face when you respond with a simple “okay !” and a bright smile. the grin on his face never disappears even as his mom scolds him for getting you both all dirty.

you were katsuki’s in middle school too, when the boys in class decided to play kiss, marry, kill and he had somehow gotten dragged into it. the girls in your class tried their best to seem uninterested, claiming the boys were being childish, but you noticed how hard some of them were straining their ears trying to hear what the guys were talking about in their own little corner of the room. you’d be lying if you said you weren’t a little curious as well.

katsuki was as ruthless as you’d known him to be, choosing to kill any girl that wasn’t to his liking, which ended up being all of them. much to the other boys’ chagrin, claiming he had no taste.

then your name was brought up.

at that, his eyes widened and he turned in his seat to see if you were watching. you had never turned your head away so fast in your life and you were pretty sure you heard something go “crack”.

he clicked his tongue. mumbling something about how stupid the game was before muttering out a “kiss yn, marry yn and kill that other bitch.” before getting up and stomping away, claiming he had to go to the bathroom followed closely by the whoops and hollers of his two friends behind him.

you both made eye contact when he walked out and you think you’ll never forget how red his cheeks were.

you were katsuki’s when he was the one to walk you to and from school everyday, claiming you would somehow get lost without him. you were katsuki’s when he had begrudgingly shoved homemade valentines day chocolates into your arms, mumbling something about how you had been upset nobody had gotten you anything last year, conveniently leaving out the fact he had scared off all the other guys trying to offer you anything.

you were katsuki’s when he grabbed your hand during the winter because he said you’d “end up dying of hypothermia with the way you’re chittering over there.” and you were his when you were the only person he laughed around. loud, genuine laughter that you and only you could squeeze out of him. you were katsuki’s when he randomly kissed you goodnight at your door one night and he’s been doing it ever since, and gets all pouty when you turn away from his kisses to tease him.

“are we dating ?” you had asked him. you’re both in high school now and you’re in his dorm room. your legs are on his lap and he���s got a comfortable grip on your leg, which tightens after he registers your questions “hah?” he looks utterly confused and a little insulted as he looks back at you, his entire face scrunched up in confusion. you pinch his nose and he swats at your hand.

“are we dating ? like—am i your girlfriend.” you say again and katsuki’s face scrunches up even harder. he huffs and looks back at his phone, landing a little smack on your leg still placed in his lap. “ ‘course yer my fuckin’ girlfriend.” he spits out, obviously irritated. then he looks back at you “I haven’t made it obvious ?” he says sarcastically. one of his eyebrows lifted as he pokes at your leg still very much in his lap.

you simply shrug “s’not that. it’s just because you’ve never actually asked me out before, so i was a little confused on where we stood.” you mumble. he stares at you while you speak and he stares a little longer before sighing. then he leans towards you and flicks your forehead.

“ow !”

“dumbass.” he murmurs. there’s a slight pout on his face and his cheeks are light shade of pink when he looks you in the eyes again. he grabs both your cheeks with one hand and smushes them together to push your lips out and presses multiple wet kisses onto them that have you squealing and squirming. his wet lips are pulled into a smirk when he pulls back and you try your best to at least look a little angry, you really do. but it’s useless when he looks at you like that.

“of course you’re my girlfriend” he reiterates. his smirk’s been replaced for something softer, something more sincere as he gazes at you with so much unadulterated affection it makes your head spin a little. “you’ve always been mine.” he says it in a teasing tone and his hand is still smushing your cheeks out and it hurts a little but his eyes are still the same. they’re warm and soft and so, so enamored with you and only you.

when he finally let’s go of your face and pulls you fully into his lap, you realize katsuki’s been yours for as long as you’ve been his.

you smile brightly at him but turn your nose up when he leans in to kiss you again. “i still haven’t heard what i wanna hear though, mr. bakugou.”

he rolls his eyes and pinches at your thigh as he mumbles out a “don’t call me that.” sighing, he looks at you intensely and you suddenly feel very shy.

“will you be my girlfriend, ya shitty girl ?” and he says it as a joke, you both know it is cus his lips are already forming into a smirk the second he finishes his sentence. and you’re pulling at his nose the moment you register it, but you’re both smiling hard. he laughs and you’re sure you’ll never get tired of the sound. “what’s your answer, pretty ?” he asks playfully and you pretend to really think it over just to mess with him, and giggling out a “yes!” when he suddenly pounces on you. flipping you both over and tickling you mercilessly, calling it revenge for you “taking too damn long to answer.”

you’d been katsuki’s for as long as you can remember, and you hope you can be forever.

[bloominglegumes]

i love normal guys doomed by the narrative

[ghosted-jazz]

Species Swap AU! Retired couple gets a fairy godchild to help repair their relationship

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[thesoftboiledegg]

[crabussy]

hey I went to Bad At It island and everyone you know was there. yeah turns out you just see the version of them they put forwards in order to not disappoint and in actuality everyone is just trying their best which doesn't always mean succeeding. yeah you were there as well but it's ok because you're surrounded by your friends and loved ones and if you take a moment you'll realise we are all flawed by nature but we are all full of love for one another and that matters more than any skill or success or achievement.

[heartorbit]

happy halloween! 🎃🐈‍⬛👻🐇